by Soundiron
Sonespheres 4 Direction draws from acoustic and electronic instruments, and is thoughtfully sound-designed into nuanced layers, emotional weight and fluid textures.
Sonespheres 4 Directionincludes a full array of essential user controls to unlock virtually limitless creative potential.
Please note: FULL retail version of Kontakt 5.5.2 or later is required. NOT for Kontakt Player.
$59.00
Sonespheres is a series of uniquely sound-designed atmospheric synths, textural pads, evolving soundscapes, nuanced drones and tonal ambiences for Native Instruments Kontakt.
Each volume explores film and tv composer and long-time Soundiron collaborator Blake Ewing’s unique creative vision, delving into deeper aesthetics, stylized niches and specialty production concepts.
Sonespheres 4 Direction was crafted using an array of acoustic and electronic instruments, with a full array of essential user controls to unlock virtually limitless creative potential.
Blake brings to his craft a brilliant ear for nuanced layering, rich detail, fluid textures and powerful emotional weight.
Blake is an American composer with a concentrated interest in creating music for visual media.
His compositions have been commissioned, licensed and well received by film directors, producers, videographers, sample developers, advertising firms, music supervisors and fans from around the world.
He believes in music – and in its wonderful power to support and elevate storytelling.
The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility.
You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more.
We’ve also included 20 unique sound-designed custom FX presets to give you lots of creative options.
Sonespheres 4 Direction comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time.
You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control.
Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration.
We’ve included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.
The interface is rounded-out by our modular FX rack panel, with 18 different DSP effect modules that you can assign in any of 10 available slots, in any order that you wish.
You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more.
The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility.
We’ve added a great bank of FX rack chain factory presets to get you started!
This library is designed for the full retail version of Native Instruments Kontakt 5.5.2 or later.
Kontakt is an industry-standard advanced virtual instrument software platform.
Check out screenshots of our custom graphical user interface for Kontakt in the image gallery above.
They provide a wide range of sound shaping parameter controls, each one totally automation-ready in your host environment or Kontakt’s stand-alone mode.
Learn more about Kontakt by Clicking Here.
This is a standard Kontakt open-format library, so the free Kontakt Player does not fully support it and can only run it in a limited “demo mode”.
However, the sample directories are unlocked so you can use them in other wav-compatible software, sampler and synth formats.
The special Libraries tab doesn’t support this open-format Kontakt library, but you can use the standard File browser tab, or import this library into the Kontakt database and Quickload tools for easy navigation, loading and organization.
“In my mind, with few exceptions, music supports and invokes a certain storytelling.
Hearing certain timbres and frequencies together triggers something in most of humanity.
A place. A time. A memory. An emotion. A sense of urgency or hope. A needed comfort. A broken heart. Real or concocted, the effect is universal.
This belief and these experiences affect me not only as a person, but inspire me as an artist.
To that end, I’m proud to have helped create a set of tools that will hopefully act as a starting canvas for your own productions.
My hope is that you as musicians will use these sounds as the hazy, ethereal, ambiguous base, on which to bring into sharp focus your own artistic visions – Be it in support or your stories, or those of the others with whom you work.
In Distance, I’ve tried to be thorough without being repetitive – to offer sounds that might work in a range of production styles and musical sensibilities.
From longing solo instruments and heartbreaking pads to tense bowed textures and forward-leaning rhythms, I truly hope there’s something here for everyone.“
