Tiny Binaural Harpsichord³

A portable Arnold Dolmetsch Harpsichord – plucked, damped and brutally prepared then recorded binaurally with OKM in ear mics and a human head.

2 x instruments types – harpsichord and prepared harpsichord drum machine.

$ 34.00

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Earn $2 store credit after purchase

Developer

Sound Dust

Size

150 MB

Format

Tiny Binaural Harpsichord³ by Sound Dust

1 Videos

Tiny Binaural Harpsichord³ - A Faithful Rare Spinet Harpsichord

The Tiny Binaural Harpsichord³ remains beautifully faithful to its rare origins, a spinet harpsichord made by influential instrument maker and musician, Arnold Dolmetsch (1849-1940). As always with a Sound Dust instrument, the TBH³ offers much more than impressively realised acoustics and editing – it offers a completely unique and incredibly versatile ‘must have’ instrument for the modern player, sound designer or composer.

 

Although the TBH³ has evolved from its predecessor, the TBH², there are some significant differences to hand. A spanking new edit suite and effects bank each come with an expanded set of features and editing controls for superior detailed manipulation of sound. Tweaking almost any of the controls will result in the transformation of familiar harpsichord characteristics, delivering subtle new textures or completely altered states. Experimentation rewards with never before heard wonders. Altering volume envelope, attack shape and heaping on the sustain can result in something that sounds like a treated harpsichord played with an E-Bow. Drop an octave or two, add a little something from the Sound Dust wildcards of dirt and rotor and discover the fizzing twang of short metal wires stretched over a jar. The TBH³ encourages and rewards with each edit.

Whats Inside?

Harpsichord
  • 3 articulations with selectable release sound
  • Sample start control per articulation
  • Stereo width and pan control per articulation
  • ADSR volume envelope control per articulation
  • Parametric notch/bump EQ per articulation
  • Transient designer per articulation
  • 24 custom convolution reverbs per articulation
  • 4 controllable insert effects – dirt, eq, rotor, phaser and master algorithmic reverb
  • 2 controllable send effects – delay and algorithmic reverb
  • Keyboard Velocity modelling page
  • 25 instrument snapshots
  • Handy build in instructions in RTFM page
Prepared Harpsichord

Boink Engine Page

  • 215 prepared harpsichord sounds
  • 12 triggered 12 track sequencers
  • 8 FX sequencing lanes per sequence track – reverb level, volume, filter cut off, hold, sample start, pan, transient modeller and tuning
  • Remix control with 32 algorithms
  • Sound and timing ramdomisation controls
One Shot Page
  • 5 octaves of one shot kits
  • 13 per note articulations – inc flam, drag, roll, Geiger, 16th repeat, 8th repeat, triplet
  • 2 custom convolution reverb engines with 24 custom impulse responses
  • Chaos and Order controls for instant ramdomisation and reset
  • Filter, tuning and reverb send amount controls
  • Handy build in instructions in RTFM page

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